{"id":3961,"date":"2026-07-24T06:49:56","date_gmt":"2026-07-24T04:49:56","guid":{"rendered":"https:\/\/kaosguards.com\/?p=3961"},"modified":"2026-07-24T06:49:57","modified_gmt":"2026-07-24T04:49:57","slug":"phantom-not-midnight-yet-mexique","status":"publish","type":"post","link":"https:\/\/kaosguards.com\/?p=3961","title":{"rendered":"PHANTOM \u00ab\u00a0Not Midnight Yet\u00a0\u00bb (Mexique)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Attention, ce PHAMTOM-ci est mexicain et ne doit pas \u00eatre confondu avec la palanqu\u00e9e de groupes homonymes. \u00ab&nbsp;Not Midnight Yet&nbsp;\u00bb est le troisi\u00e8me album du groupe, faisant suite \u00e0 \u00ab&nbsp;Handed To Execution&nbsp;\u00bb (2023) et \u00e0 \u00ab&nbsp;Tyrants Of Wrath&nbsp;\u00bb (2025). On note au passage la prolixit\u00e9 des sorties&nbsp;! Ce d\u2019autant plus que le pr\u00e9sent album fr\u00f4le l\u2019heure quant \u00e0 sa dur\u00e9e. C\u2019est dire si PHANTOM a des choses \u00e0 exprimer\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Au menu, le groupe pr\u00e9sente deux visages compl\u00e9mentaires. Le premier t\u00e9moigne d\u2019une inspiration typique du Speed Thrash Metal tel qu\u2019il se pratiquait aux origines de ces genres. Cela implique des tempos majoritairement rapides, quoique on peut croiser des morceaux mid-tempo appartenant \u00e0 cette cat\u00e9gorie. Sur ces compositions, le chant se fait crisp\u00e9 et agressif, \u00e9voquant le chant de Tom ARAYA au d\u00e9but de SLAYER. D\u2019ailleurs, musicalement parlant, les points de rapprochement avec l\u2019album \u00ab&nbsp;Show No Mercy&nbsp;\u00bb sont nombreux&nbsp;: gros volume du jeu de batterie, des guitares alternant riffs en rafale et inserts m\u00e9lodiques, tempos rapides alternant avec des passages plus pond\u00e9r\u00e9s en la mati\u00e8re\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019autre visage de PHANTOM, minoritaire, d\u00e9voile quelques titres aux tempos plus mod\u00e9r\u00e9s, correspondant aux canons du Heavy Metal traditionnel, avec un chant clair, dans un registre m\u00e9dium.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Signalons que deux compositions, \u00ab&nbsp;The Pale Remains Of Time&nbsp;\u00bb&nbsp;et \u00ab&nbsp;Curse Your Name&nbsp;\u00bb, franchissent le cap symbolique des six minutes, ce qui permet de multiplier les s\u00e9quences contrast\u00e9es. Ce dernier titre d\u00e9bute par exemple par une longue introduction \u00e0 la guitare acoustique, avant de s\u2019intensifier.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sans rien r\u00e9volutionner, PHANTOM livre l\u00e0 un album solide et accrocheur, qui plus est b\u00e9n\u00e9ficiant d\u2019une bonne production et d\u2019un mixage puissant.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Alain Lavanne<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Date de sortie:<\/strong> 26\/06\/2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Label:<\/strong> High Roller records<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Style:<\/strong> Speed Thrash<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Note: <\/strong>17\/20<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ecoutez<a href=\"https:\/\/phantombandgdl.bandcamp.com\"> ici<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Attention, ce PHAMTOM-ci est mexicain et ne doit pas \u00eatre confondu avec la palanqu\u00e9e de groupes homonymes. \u00ab&nbsp;Not Midnight Yet&nbsp;\u00bb est le troisi\u00e8me album du groupe, faisant suite \u00e0 \u00ab&nbsp;Handed To Execution&nbsp;\u00bb (2023) et \u00e0 \u00ab&nbsp;Tyrants Of Wrath&nbsp;\u00bb (2025). On note au passage la prolixit\u00e9 des sorties&nbsp;! Ce d\u2019autant plus que le pr\u00e9sent album fr\u00f4le [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3962,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-3961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques"],"_links":{"self":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3961"}],"version-history":[{"count":1,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3961\/revisions"}],"predecessor-version":[{"id":3963,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3961\/revisions\/3963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/media\/3962"}],"wp:attachment":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}