{"id":3756,"date":"2025-12-29T11:29:31","date_gmt":"2025-12-29T10:29:31","guid":{"rendered":"https:\/\/kaosguards.com\/?p=3756"},"modified":"2025-12-29T11:29:32","modified_gmt":"2025-12-29T10:29:32","slug":"doomherre-plaguelords-suede","status":"publish","type":"post","link":"https:\/\/kaosguards.com\/?p=3756","title":{"rendered":"DOOMHERRE \u00ab\u00a0Plaguelords\u00a0\u00bb (Su\u00e8de)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La biographie que comprend le kit de promotion de ce second album des Su\u00e9dois de DOOMHERRE (apr\u00e8s \u00ab&nbsp;Bonegoats&nbsp;\u00bb, paru en 2023) ne prend pas de grands risques en citant les influences du groupe. En effet, sont cit\u00e9s CANDLEMASS, THE OBSESSED et TROUBLE, soit des repr\u00e9sentants mythiques du Doom \u00e9pique (pour le premier) et du Doom classique (les deux autres). Autant rectifier le tir d\u2019entr\u00e9e de jeu, les racines du combo plongent plus nettement du c\u00f4t\u00e9 du Doom classique. En effet, d\u2019un point de vue rythmique, on se trouve confront\u00e9 \u00e0 des sections au tempo lent ou m\u00e9dium, \u00e0 la stature ramass\u00e9e plus qu\u2019\u00e9paisse, bien loin des \u00e9lans du Doom \u00e9pique. M\u00eame si la promesse de contenu \u00e9pique \u00e9choue, on a cependant droit \u00e0 un alignement roboratif de riffs charnus, quoique toujours fort convenablement dessin\u00e9s. Cette clart\u00e9 dans la d\u00e9livrance des riffs constitue un atout fort pour le Doom de DOOMHERRE, puisqu\u2019une dynamique s\u2019en trouve induite.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Du point de vue vocal, le constat demeure analogue&nbsp;: nulle trace de Doom \u00e9pique \u00e0 la CANDLEMASS. Au lieu de quoi, nous avons un chant dans un registre m\u00e9dium, l\u00e9g\u00e8rement rauque, histoire d\u2019ajouter du piment dans l\u2019affaire. Toutes les lignes vocales se trouvent modul\u00e9es \u00e0 bon escient, apportant \u00e0 chaque titre une juste dose d\u2019attractivit\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Signalons l\u2019ultime morceau de cet album, \u00ab&nbsp;This Burning Guilt&nbsp;\u00bb, dont la dur\u00e9e (6\u201921) s\u2019av\u00e8re la plus cons\u00e9quente de l\u2019album. Avec son introduction de guitare m\u00e9lodique, le titre enquille sur une suite de passages musculeux et de plages ostensiblement plus m\u00e9lodiques. Le sch\u00e9ma demeure ind\u00e9niablement archi-rebattu, mais il rev\u00eat ici un aspect particuli\u00e8rement efficace, \u00e9voquant effectivement les \u0153uvres de TROUBLE \u00e0 ses d\u00e9buts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019\u00e9coute de cet album s\u2019av\u00e8re ind\u00e9niablement sympathique, gr\u00e2ce \u00e0 une approche bien travaill\u00e9e. On ne m\u2019emp\u00eachera pas de penser que DOOMHERRE devra sortir de sa zone r\u00e9f\u00e9rentielle pour aborder le cap \u00f4 combien important du troisi\u00e8me album. A bon entendeur, salut&nbsp;!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Alain Lavanne<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Date de sortie:<\/strong> 25\/11\/2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Label:<\/strong> Skatbo records<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Style:<\/strong> Doom Metal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Note:<\/strong> 17\/20<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ecoutez <a href=\"https:\/\/doomherre.bandcamp.com\/album\/plaguelords\" data-type=\"link\" data-id=\"https:\/\/doomherre.bandcamp.com\/album\/plaguelords\">ici<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La biographie que comprend le kit de promotion de ce second album des Su\u00e9dois de DOOMHERRE (apr\u00e8s \u00ab&nbsp;Bonegoats&nbsp;\u00bb, paru en 2023) ne prend pas de grands risques en citant les influences du groupe. En effet, sont cit\u00e9s CANDLEMASS, THE OBSESSED et TROUBLE, soit des repr\u00e9sentants mythiques du Doom \u00e9pique (pour le premier) et du Doom [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3757,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-3756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques"],"_links":{"self":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3756"}],"version-history":[{"count":1,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3756\/revisions"}],"predecessor-version":[{"id":3758,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3756\/revisions\/3758"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/media\/3757"}],"wp:attachment":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}