{"id":3292,"date":"2024-11-14T08:35:00","date_gmt":"2024-11-14T07:35:00","guid":{"rendered":"https:\/\/kaosguards.com\/?p=3292"},"modified":"2024-11-14T08:37:30","modified_gmt":"2024-11-14T07:37:30","slug":"marche-funebre-after-the-storm-belgique","status":"publish","type":"post","link":"https:\/\/kaosguards.com\/?p=3292","title":{"rendered":"MARCHE FUNEBRE \u00ab\u00a0After The Storm\u00a0\u00bb (Belgique)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Depuis \u00ab\u00a0Einderlicht\u00a0\u00bb (2020, tr\u00e8s positivement chroniqu\u00e9 sur notre site\u00a0: <a href=\"http:\/\/kaosguards.com\/?p=207\">ici<\/a> ), seul le EP six titres \u00ab\u00a0Death And Loss\u00a0\u00bb (EP six titres, comprenant des morceaux figurant sur des singles et une reprise du mythique \u00ab\u00a0As I Die\u00a0\u00bb de PARADISE LOST) \u00e9tait venu interrompre en 2022 la di\u00e8te discographique des Anversois de MARCHE FUNEBRE. On les retrouve dans des dispositions aussi flatteuses que quatre ans plus t\u00f4t, avec un cinqui\u00e8me album \u00e0 la fois parfaitement fid\u00e8le aux pr\u00e9ceptes du Doom Death Metal, mais \u00e9galement tr\u00e8s dynamique et accrocheur. D\u00e9taillons cette recette classique mais gagnante.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Du Doom Death originel, MARCHE FUNEBRE a en premier lieu conserv\u00e9 un chant principal guttural et caverneux, quoiqu\u2019impeccablement modul\u00e9 par Arne Vandenhoeck. Ponctuellement, ces vocaux raisonnablement rugueux se trouvent rehauss\u00e9s par des parties en chant clair. Surtout, conform\u00e9ment aux structures des compositions \u2013 nous y reviendrons par la suite -, le groupe a particuli\u00e8rement soign\u00e9 ses refrains et ses arrangements vocaux, de mani\u00e8re \u00e0 les rendre m\u00e9morisables, voire carr\u00e9ment accrocheurs.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sur le plan strictement instrumental, la totalit\u00e9 des compositions, \u00e9tag\u00e9e entre sept et huit minutes, s\u2019inscrit dans la veine classiquement Doom qui permet d\u2019installer, puis de d\u00e9cliner des atmosph\u00e8res. M\u00eame si le tempo g\u00e9n\u00e9ral demeure plut\u00f4t lent, on rel\u00e8ve les efforts vaillants de la section rythmique pour varier les plaisirs et instaurer une tension positive \u00e0 maintes reprises.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Du c\u00f4t\u00e9 des guitares, Kurt Blomm\u00e9 et Fr\u00e9 de Schepper savent toujours ass\u00e9ner de gros riffs hostiles, si typiquement Death Doom&nbsp;; ils prennent cependant un soin permanent \u00e0 garnir les rythmiques de riffs plus tranchants et de motifs plus m\u00e9lodiques. Sans oublier des solos brefs mais syst\u00e9matiquement lest\u00e9s d\u2019un impact m\u00e9lodique \u00e9vident.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00ab&nbsp;After The Storm&nbsp;\u00bb r\u00e9sulte d\u2019une combinaison id\u00e9ale entre Death et Doom, d\u2019une part,&nbsp; Doom gothique et m\u00e9lodies Rock, d\u2019autre part, un peu comme si PARADISE LOST, p\u00e9riode \u00ab&nbsp;Draconian Times&nbsp;\u00bb, int\u00e9grait dans son Doom un brin de Death et \u00e9norm\u00e9ment de m\u00e9lodies et de dynamisme&nbsp; rythmique. Cela laisse envisager des d\u00e9veloppements futurs prometteurs, tant qu\u2019ils comporteront une part honn\u00eate du substrat extr\u00eame qui caract\u00e9risait initialement MARCHE FUNEBRE.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Alain Lavanne<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Date de sortie: <\/strong>27\/09\/2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Label: <\/strong>Ardua Music<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Style: <\/strong>Doom Death M\u00e9tal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Note:<\/strong> 18\/20<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ecoutez <a href=\"https:\/\/marchefunebre.bandcamp.com\/\">ici<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Depuis \u00ab\u00a0Einderlicht\u00a0\u00bb (2020, tr\u00e8s positivement chroniqu\u00e9 sur notre site\u00a0: ici ), seul le EP six titres \u00ab\u00a0Death And Loss\u00a0\u00bb (EP six titres, comprenant des morceaux figurant sur des singles et une reprise du mythique \u00ab\u00a0As I Die\u00a0\u00bb de PARADISE LOST) \u00e9tait venu interrompre en 2022 la di\u00e8te discographique des Anversois de MARCHE FUNEBRE. On les [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3294,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-3292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques"],"_links":{"self":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3292"}],"version-history":[{"count":2,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3292\/revisions"}],"predecessor-version":[{"id":3296,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/3292\/revisions\/3296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/media\/3294"}],"wp:attachment":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}