{"id":2674,"date":"2023-07-29T09:48:44","date_gmt":"2023-07-29T07:48:44","guid":{"rendered":"https:\/\/www.kaosguards.com\/?p=2674"},"modified":"2023-07-29T09:48:45","modified_gmt":"2023-07-29T07:48:45","slug":"mammons-throne-mammons-throne-australie","status":"publish","type":"post","link":"https:\/\/kaosguards.com\/?p=2674","title":{"rendered":"MAMMON\u2019S THRONE \u00ab\u00a0Mammon\u2019s Throne\u00a0\u00bb (Australie)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Contrairement \u00e0 ce que l\u2019absence de titre propre pourrait laisser penser, cet album n\u2019est pas le premier album du groupe (statut d\u00e9tenu par \u00ab&nbsp;Forward Unto Flame&nbsp;\u00bb, confidentiellement paru en 2020), mais bien son second opus au long cours. D\u00e8s le premier morceau, on r\u00e9alise que MAMMON\u2019S THRONE n\u2019est aucunement anim\u00e9 par une quelconque volont\u00e9 de reconnaissance facile et imm\u00e9diate. En effet, le titre introductif, \u00ab&nbsp;Return Us To The Stars&nbsp;\u00bb affiche d\u2019embl\u00e9e la copieuse dur\u00e9e du 8\u201940&nbsp;; la lenteur \u00e9crasante \u00e0 laquelle se d\u00e9roulent les riffs pesants, lourdement appuy\u00e9 par une section rythmique pour le moins imposante. Tout au long de cette litanie instrumentale obs\u00e9dante, \u00e0 peine anim\u00e9e par quelques variations de rythme et de tempo (et m\u00eame une plage acoustique apais\u00e9e dans le dernier quart du morceau), le chant rauque se veut agressif et incarne \u00e0 la perfection on ne sait quel propos blasph\u00e9matoire. D\u2019entr\u00e9e de jeu, l\u2019auditeur comprend qu\u2019il doit l\u00e2cher priser et se soumettre- \u00e0 la volont\u00e9 imp\u00e9rieuse de MAMMON\u2019S THRONE.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00eame sur le titre le plus ramass\u00e9 de l\u2019album, \u00ab&nbsp;Beyond&nbsp;\u00bb (3\u201931), le groupe impose son empreinte pesante, hostile, n\u00e9anmoins majestueuse. Aussi, quelle n\u2019est pas nnotre surprise de d\u00e9couvrir les six minutes de \u00ab&nbsp;A King\u2019s Last Lament&nbsp;\u00bb, longue et paisible complainte m\u00e9lancolique, en son et en chant clairs.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chatouillant de peu les huit minutes, les deux derni\u00e8res compositions, \u00ab&nbsp;Mammon\u2019s Throne (Reap What You Sow)&nbsp;\u00bb et \u00ab&nbsp;Impure&nbsp;\u00bb, renouent avec une veine Doom ultra pesante, le chant maladif, pas toujours solide mais flirtant avec le Death Metal, ajoutant une touche mena\u00e7ante \u00e0 un substrat instrumental d\u00e9j\u00e0 monumental.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Combinant les qualit\u00e9s rythmiques respectives de CELTIC FROST, CANDLEMASS et RUNEMAGICK, MAMMON\u2019S THRONE r\u00e9ussit pleinement son second essai et nous place de facto dans la position d\u2019attente d\u2019un troisi\u00e8me album qui ferait la diff\u00e9rence. A suivre de tr\u00e8s pr\u00e8s\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Alain Lavanne<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Date de sortie:<\/strong> 01\/04\/2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Label:<\/strong> Brilliant Emperor records<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Style: <\/strong>Sludge Doom M\u00e9tal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Note: <\/strong>16\/20<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ecoutez <a href=\"https:\/\/mammonsthrone.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">ici<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contrairement \u00e0 ce que l\u2019absence de titre propre pourrait laisser penser, cet album n\u2019est pas le premier album du groupe (statut d\u00e9tenu par \u00ab&nbsp;Forward Unto Flame&nbsp;\u00bb, confidentiellement paru en 2020), mais bien son second opus au long cours. D\u00e8s le premier morceau, on r\u00e9alise que MAMMON\u2019S THRONE n\u2019est aucunement anim\u00e9 par une quelconque volont\u00e9 de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2675,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques"],"_links":{"self":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/2674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2674"}],"version-history":[{"count":1,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/2674\/revisions"}],"predecessor-version":[{"id":2676,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/posts\/2674\/revisions\/2676"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=\/wp\/v2\/media\/2675"}],"wp:attachment":[{"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kaosguards.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}